Scott Avett sang, “I will rearrange my plans and change for you,” during the song “If It’s the Beaches” on Wednesday night, at the McKittrick Hotel in New York City. However, I was the one who found myself changing my plans on September 25, 2013 in order to attend a private Avett Brothers concert in The Heath room of the fictional hotel and home of the off-Broadway play, Sleep No More. The band played an eighteen-song set that was taped for the PBS program, Front and Center. The concert is to be aired in early 2014 in support of their upcoming album, Magpie and the Dandelion, being released on October 15th.
After reading a tweet from The McKittrick Hotel, a routine weekday morning at work quickly ended when I made the decision to board a train to New York City. The hotel was giving away a handful of tickets to Avett Brothers’ fans for a secret event at 8:00pm. The details were minimal, but I had made it to Penn Station and I was determined to win. Constant refreshing of my twitter news feed and a mild addiction to social media paid off–I was in.
At the entrance doors of a warehouse in Chelsea, a host read my name on the guest list and invited me in. I was escorted to a dark and eerie elevator and taken to the fifth floor where the show was to be held. The home of the play, Sleep No More, is a 100,000 square foot building that is modeled to look like a 1930’s hotel, known as The McKittrick Hotel. This special occasion was a rarity for the band, as well as for the hotel. While a show is held at the hotel every night, this concert was much different than what usually happens at Sleep No More. Typically, guests are given white masks and instructed not to speak. They wander the rooms of the haunted hotel and follow actors. Guests experience the play, based on the story Macbeth, in a much different way. They are told, “Fortune favors the bold,” and are encouraged to stand out from the crowd or they just may be taken into a hidden room or given privy information. Those who have seen the play, return again and again because it’s a different experience every time.
The Heath room, was decorated like a haunted hotel bar–dark, cozy, and a little bit spooky. The walls of the small room were lined with booths and the floor was full of tables set for two. Drinks were being poured at the bar and large HD television cameras were resting on their tripods. The stage sat crowded with instruments as guests made their way to their seats. A Sleep No More mask lay at the foot of the drum kit. The room held 200 people, but it was not full. I took my seat in the front row, ordered a drink, and admired the elegant décor while I waited for the show to begin.
The band took the stage at 9:00pm. As he plugged in his Martin D35 guitar, Seth Avett whispered into the microphone, “It’s so quiet,” and let out a laugh. They thanked the audience for attending and kicked off the set with the song “Live and Die,” from their 2012 album, The Carpenter. As I sat in my chair, I fought the urge to get up and dance. I assumed the PBS cameraman behind me would not want me blocking his shot.
The band played crowd favorites, such as “Murder and the City,” “I and Love and You,” and “Laundry Room.” Among the set were also new songs, “Another is Waiting,” “Vanity,” “Morning Song,” and “Apart from Me,” all to be featured on the new album. Having attended several Avett Brothers concerts, I had been waiting to hear “Morning Song” performed live. Although I have not listened to the new album in its entirety, I can already tell this song will be a favorite of mine. The show was intimate and unlike any other I’ve seen. The band told stories and joked with one another throughout the set. Between songs, Scott reminisced about visiting New York City for the first time at age 26. He said he was intimidated by the fast paced city life, but has since grown a love for the city, and was happy to be back. “This is very exciting for us, to be playing a place like this,” he confessed to the audience. The band had created a setlist prior to taking the stage, but changed a number of songs on it to better suit the mood of the room. Scott and Seth would have short debates on what to play next in between many of the songs.
The final song of the encore was “If It’s the Beaches.” A passionate love song, played quietly to a room of attentive ears. The audience rose to their feet and applauded the band whole-heartedly, exchanging ear to ear smiles with the band. It had been a special experience for all of us. I joked with a friend, telling her my face hurt because of the permanent grin I had worn for two straight hours.
In groups of ten, we boarded the elevator and made our way to the exit. Once outside, we saw the band hustle into a van to be whisked away. Fortune favors the bold and fortune certainly favored me when I made the bold move to leave work early on a Wednesday morning. I’m thankful for this experience and look forward to reliving it through the PBS broadcast of Front and Center early next year.
The Avett Brothers will stay in New York for the next few days. They are scheduled to appear at New York’s Town Hall for Another Day, Another Time on Sunday, September 29th. This concert event is celebrating folk music of the 1960s. Several other musicians will be joining, such as Jack White, Marcus Mumford, Joan Baez, Punch Brothers, Collin Meloy, Milk Carton Kids, Patti Smith, Conor Oberst, and more. On Monday, September 30th, The Avett Brothers will return to Late Night with Jimmy Fallon for a television performance on NBC.
The Setlist 9/25/13:
Live and Die
Old Joe Clark
Down With the Shine
Another Is Waiting
Go to Sleep
The Prettiest Thing (David Childers cover)
Ballad of Love and Hate
Just a Closer Walk With Thee
Apart From Me
A Father’s First Spring
I and Love and You
Murder in the City
If It’s the Beaches
For the first time in Evolution of a Fan history, we welcome our first guest blogger, Karissa Sevensky. Karissa was fortunate enough to share a very special evening with The Avett Brothers at McKittrick Hotel this past week, and kind enough to share her experience and photos with us! Thank you Karissa.