Category Archives: Music

Raleigh: Nick and The Babes to Headline Lincoln Theater Show 8/24/12

Turn it up maaaaaan!

“Fans should be prepared for more face-melting  guitar solos” – Nick Bailey

Well if that isn’t enough reason to go catch headliners Nick and The Babes at The Lincoln Theater in Raleigh, NC on August 24th, I don’t know what is.

After a hiatus from touring, band members Nick (guitar, vocals), Graham (drums, vocals), Rob (keys, mandolin, banjo), and Dail (bass) are excited to get back on stage at one of Raleigh’s most popular music venues.  Though scattered between Raleigh, Greenville, and New Bern, the band has been working diligently on practicing, recording and producing 8 new songs for an upcoming EP–expected to be available on iTunes in the next month.

Dail, Nick, and Graham

I recently caught up with guitarist/singer/songwriter Nick Bailey to find out more about the band’s upcoming Lincoln Theater show and new music on the horizon.

“This is our first time headlining at The Lincoln Theater and we are very excited to share the stage with other great musicians like Jason Adamo, Brent Jordan & J.T. Poe, and Young Cardinals,” said Bailey.

With that coveted headliner spot comes a well-earned benefit–freedom from the ticking hands of the on-stage clock that often terrorizes opening acts and limits what would otherwise be epic jam sessions.

“It will be nice to just go with it and not be so worried about the time limit that comes with being an opener.  Guitar and drum solos can go a little bit longer, and we wont be constantly checking the clock.  We are really looking forward to that,” explained Bailey.

For their first show in quite a while, fans can expect a mix of old and new tunes from NATB, with newer material departing a bit from their patented acoustic Americana sound.

“[We’ve written] some darker songs that are a little bit more driven by the electric guitar.  I have been greatly influenced by bands like Pearl Jam, and I think that is reflected in our newer songs.  The songs on our new EP will definitely have more of a rock feel to them, and a more produced sound that will offer our fans some good variety,” he said.

One of the songs that will appear on the EP, called Girl I Know, is currently being featured in Our State Magazine’s first-ever singer/songwriter competitionGirl I Know, as well as NATB original Morning Light, will be judged alongside songs from other local musicians by music industry professionals.  Bailey admits that he’s not holding his breath to take first prize in the competition, but recognizes the value of taking advantage of a great opportunity to expose a wider audience to the band’s music.  While the original version of Girl I Know maintains NATB’s traditional sound, the EP version will have a louder jam-band sound that fits their current musical direction.

For Bailey, the majority of 2012 has been spent writing music for TCL’s new reality TV show about conjoined twins, called Abby and Brittany.  With his “day job” project now complete, he can shift his attention and energy to the things he loves the most in life–getting back on stage with his band mates and ripping those legendary, face-melting electric guitar solos.

For only $8 you too can go and get your face melted by NATB on Friday, August 24th at The Lincoln Theater.  Get your TICKETS before they are gone! Openers at 7:30PM, NATB at 10:30PM.

NATB

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A Legend Lost – Doc Watson (1923-2012)

Docs in Boone, NC

This week we lost one of our most treasured Americans.  After a full life of hard work and harder flatpicking, legendary musician Arthel Lane “Doc” Watson peacefully passed on at the age of 89.  Born in Deep Gap, NC, Doc was known far and wide as a masterful guitarist and storyteller whose music spread across countless genres, including folk, bluegrass, country, gospel and blues.

Two years ago I was fortunate enough to catch Doc’s set at the Newport Folk Festival.  I, like many who did not grow up in the south, knew ‘of’ Doc but was not being very familiar with his canon of work.  When I saw that he was in the line-up, I knew I couldn’t miss out on the chance to see and hear him perform live.  On that sunny Saturday in late July, festival goers of all ages funneled their way into the small space between the main Fort Stage and side Harbor Stage to be within an ear shot and maybe even get a glimpse of NC’s native son.  Joined on stage by his longtime musical partner David Holt and grandson Richard Watson, Doc treated us all to an unforgettable musical experience that afternoon.

During his set I felt like I was sitting on Doc’s front porch listening to him pick, sing, and tell stories, rather than standing shoulder to shoulder in the hot sun with hundreds of fans.  His songs told stories of love, the Lord, and life’s lesson.  Between songs, he captivated the audience with tales of his childhood and his lovely wife Rosa Lee.  Despite his age, Doc still possessed an impressive nimbleness in his fingers and a childlike spirit.  There was a natural ease about him as he talked to his fans as if they were kin.  Throughout the set, bouts of laughter and song rang out from the crowd, and it was easy to see how this humble, honest man from NC had made such a profound impact the world of music over his lifetime.

Doc Watson was one of the greatest musicians of all time, and he selflessly shared that gift with the world over the past eight decades.  While Doc certainly leaves behind a tremendous musical legacy, he also leaves each of us a sweet reminder to make the best of the life we are given.  Though he wanted to be seen as “just one of the people”, Doc will always be remembered as a gift from above.  Rest in peace Doc.

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Langhorne Slim and The Law – The Way We Move

Langhorne Slim and The Law

With the introduction of websites like PledgeMusic, musicians now have a way to help cover the costs of making an album.  The process is easy–fans pledge a certain amount of money to help fund the album in exchange for some type of band memorabilia or experience.  This new music business model  directly incorporates the fan into the album making process, thus spawning a symbiotic relationship between musician and fan.

Last year, Langhorne Slim and The Law decided to turn to their fans for help with their next project.  This move seemed more than appropriate for a band that has been known to break into jam sessions after shows and who’s lead singer often invites fans on stage while he performs.  Slim and The Law have been making direct connections with their fans for years, so when the fans were given the opportunity to pay it back with the PledgeMusic campaign, they didn’t shy away.  Over 450 fan pledges were made and the guys responded kindly with a brilliant new album, The Way We Move, which will be officially released by Ramseur Records on June 5th.  The overwhelming fan response through PledgeMusic exceeded the band’s original goal by over 50%–a striking testament to the quality of their craft and character.

Interestingly, I’ve discovered that Slim’s music doesn’t always ‘hook’ the listener until he/she sees him perform live, which is where he shines the brightest.  Whether on stage solo or with his band, Slim is able to use his powerful bluesy rasp and jovial, heartfelt lyrics to project straight into your soul with ease.   However, on his previous EPs and albums, this quality was somewhat lost in translation.  Fortunately, all 14-tracks on The Way We Move capture Slim and The Law’s live spirit and energy better than any other previous studio recordings.

This is the album you should play for the non-believers who just can’t seem to get on board the Langhorne Slim Express.  The upbeat, joyful title track alone is enough reason to pick up the album in its entirety.  Just try to play that song and sit still.  Impossible.  In between raucous tracks, Slim finds moments on the album to slows things down.   Among the slower tracks, Salvation evokes the fear of moving on with lyrics like I want to hold you but my hands are cold/I meant to catch you but I moved too slow/I hate to leave, but it’s time to go, while Coffee Cups chronicles the emotions that come with life on the road.  Well known as a hopeful romantic, Slim reveals his doubts and desires in love on several tracks including On the Attack and Someday.  Slim’s band–The Law–provides a menagerie of beautiful supporting sounds including banjo/keys (David Moore), drums (Malachi DeLorenzo), and upright bass (Jeff Ratner), as well as back-up vocals/yells on tracks like Found my Heart and Two Crooked Hearts.  The album closes with Past Lives, a crowd favorite at live shows that often involves Slim walking out into the audience to rub sweaty shoulders with his biggest supporters.  Perhaps this was the band’s way of ending the album with a big “Thank You” to all of the folks who helped turn a dream into a reality.  It couldn’t have happened to a nicer band.

Check out the video for their title track, The Way We Move:

Nothing beats a live Langhorne Slim and The Law show, so check out their website for tour dates, and pre-order their new album, too.

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Interview: Rebekah Todd

A girl and her guitar

Thus far, the height of my musical “career” was winning first place at my elementary school talent show for singing I’ve Been Working on the Railroad.  I was five.  I was a complete ham, and wanted to be a star.  My older brother told me the only reason I won was because I was cute–fair enough.  Fast-forward almost 30 years, and I’ve realized that my feverish desire for stardom is much better served in the confines of my car and home, rather than on the main stage.  Instead, the main stage should be reserved for those people who possess that innate gift of musical creativity and mastery that inspires and makes us feel alive.  It was a pleasant surprise when I recently stumbled upon one of those people right here in eastern NC.

I was introduced to Rebekah Todd when she opened up for Paleface at The Tipsy Teapot in Greenville, NC a few months ago–a lone young lady on stage with just her acoustic Alvarez guitar and a mic.  She did a quick mic check, and politely introduced herself to the audience.  I watched and waited, thinking how brave she was to get up there and sing by herself.  I was envious and impressed before even hearing her voice.  And then she sang.  A boisterous yet angelic, soulful, bluesy voice filled the room, and I was floored.  Who had been hiding this homegrown gem, and why hadn’t I heard of her before?  She quickly captivated the crowd with original songs like  Jordan, Citizen, Gallows, Little by Little, and Walked Right Through Me.  That evening, as her powerful voice echoed off of Tipsy’s glossy, cherry red walls,  I was happy to tag along on her musical journey.

A few weeks after the show I sat down with Todd to talk about her music and big plans for the future.

Todd grew up in the small town of Benson, NC and was surrounded by music as early as she could remember.  At eight years old, she started formal piano lessons, but soon figured out that the structure of reading music didn’t quite fit her style of learning.

“I play by ear 100%, so I don’t read music unless you have a sheet with chords.  If it’s the notes on the staff I can’t do it at all.  When I was eight, I figured that out.  I remember my teacher was teaching me the Titanic theme song.  I was reading it on the paper and I got a note wrong, so I stopped looking at the paper and listened and figured it out.  She yelled at me and told me I had to read the paper, and she was really mean so I dropped it and never went back,” she recalled.

Soon thereafter, Todd’s father suggested she learn how to play the guitar.  She fondly remembered those early memories of her dad and his love for music.

“[My dad] was classic rock all the way.  It’s pretty cool because it really influenced me.  I am happy that I know all of these artists now because I meet people my age who say, ‘Who are the Beatles, or who is Bob Dylan?’.  He was musical and played guitar and he was the one who taught me.  He bought me this crappy Washburn guitar that was black, and when I was eight I thought it was awesome,”  she said with a chuckle.

Rebekah Todd @ Tipsy Teapot

She continued to laugh as she told me that the first song he taught her to play on the guitar was Wild Thing.  Todd and her father continued to play together at home until she started playing in different high school bands with her friends.  Over the years of playing with her dad and others, Todd pulled inspiration from a wide range of musical genres, which has shaped the music she writes and performs today.

“I went through the classic rock phase, and then I really got into people who had a soulful voice, like Lauryn Hill, who is one of my favorites.  I literally wore her CD out [The Miseducation of Lauryn Hill].  Now I am into the more bluesy sound with singers like Susan Tedeschi and the Derek Trucks Band.  I really admire artists like that,” said Todd.

Though she can cover songs ranging from Led Zeppelin to Katy Perry, Todd’s bread and butter is in songwriting.  To date she has recorded about 16 original songs, but admits that there are many more waiting the wings that need to evolve a bit before she will bring them into the studio.

“Sometimes I will be sitting and playing and [a song] will come then, and other times I will get a tune in my head and I will literally pull my cell phone out, hit video, hold it out, and sing into the video.  I used to carry around a tape recorder before cell phones.  I think that started because when I was really young my parents bought me a karaoke machine that I could put a tape in and record my singing and listen to it.  It’s funny how the steps that your parents take totally mold what you become,” Todd shared.

Songwriting for Todd is a very natural, organic, and “in-the-moment” process.  Her songs are passionate and moving because they are honest.  Like most artists, Todd finds inspiration in her life experiences and channels those emotions into her songs as well as her art.

Rebekah Todd

“One time I played with this band called Cool Hand Luke out of Tennessee and Mark came up to me and said, ‘I really like your music because you are honest with what you are going through and what you are feeling’.  Ever since he said that I took it and tried to apply it to everything I was doing.  I’ve come to find that people can relate to your stuff if you are brutally honest with your feelings because then they can say, ‘Oh yeah I feel the same way’.  With my situation now, with having a loss in the family, everyone can relate.  Sometimes it’s hard because you really have to go into your emotions and that can be painful.  It’s the same with art.  You pull it out and you put it on a canvas or put it into a song and hope that people can relate to it,” she revealed.

Having just graduated with a bachelor’s degree in Fine Arts from East Carolina University, Todd is ready to hit the road and share her music with the world.  She’s completely devoted to throwing herself into writing and touring as much as she can, while maintaining a realistic outlook.  She knows that with a hopeful heart must also come a level head, and she’s willing to put in the time and work to pursue her dream.

“It’s tough as an acoustic girl to say, ‘I promise that I can bring it’.  It’s something you have to slowly prove and know the right people.  I am working on it.  It’s a weird road.  A lot of people say I should think about getting a band.  That could be cool, but I just don’t feel right with it right now.  I feel like I want to prove to myself that I can do it without the band.  I just graduated and I have all of the time in the world,” she said with a hopeful grin.

So far she’s got a great start with several club shows and festivals booked across the state, and hopes to add a small northeast tour towards the end of August.  In between shows Todd will continue to write songs and dabble in her second love, painting.  Though Todd admits to being very comfortable in the “opener” slot, I suspect she’s  going to be pushed out of her comfort zone fairly soon.  She wont be able to hide in the shadows of bigger acts for too long.  The main stage awaits her.

To learn more about Rebekah Todd’s music and upcoming shows, please visit her website.

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The Lumineers’ debut album released today

I first heard of The Lumineers from my childhood friend Marcie’s husband, Joe.  Growing up, if you wanted to find out about new, non-mainstream music, Marcie was your girl.  So, it didn’t surprise me that she married a man who shared her steadfast love for the musical chase.  Tracking down unique artists that don’t get radio play can be fun and rewarding, and those two have certainly perfected the hunt (and I gladly reap the benefits!).

Joe directed me to The Lumineers’ Daytrotter four-song set, and I was immediately drawn to front man Wesley Schultz’s soulful down-home voice.  Schultz’s rustic vocals were balanced by the boisterous hollers of drummer Jerimiah Fraites and the softer harmonies of cellist/pianist Neyla Pekarek.  Their lyrics were simple, but blew through me like a warm breeze through a hilltop willow tree — no resistance, complete surrender.  Their voices mingled effortlessly with the rhythmic stomp-clap cadence of their songs, producing a back-yard sing-a-long sound rooted in folk and Americana and pleasing to the ears.

Naturally — as I tend to do with all new music that moves me — I kept their Daytrotter sessions on repeat for quite some time.  Fortunately, their self-titled debut album was officially released today.  The eleven-track album can be streamed directly from the band’s website.  While tracks are riddled with vocal tones of Englishmen Rod Stewart and David Gray, New Jersey native Schultz successfully manages to take his sound and story in a fresh direction.  The listener’s journey through the Lumineers’ debut album is full of emotional ups and downs, as I am sure the band intended.  The opening track, Flowers in Your Hair, reminds us of how quickly time passes on the road to growing old.  Dead Sea speaks to love lost, while Ho Hey presents us with a hopeful heart.  Stubborn Love chooses the painful pitfalls of love over the emptiness of indifference, while Big Parade scoffs at the pomp and circumstance that envelopes our culture.  The Lumineers are storytellers, and their stories seem all too familiar to anyone who has ever suffered or soared in love — must be why I can’t stop listening.

Check out their new album, and jump on this bandwagon while there is still room.  Seats are sure to fill up quickly.

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Music that Matters – Raleigh’s Racing The Cure Benefit

Brotherly Love

There are certain lengths that a friend will go to help another friend in need.  For Grayson Currin, this meant organizing and seamlessly executing the Racing the Cure Benefit for Oliver Gant, a one-night four-venue music event that raised over $45,000 to help a brave young boy fight the battle of his life (Read: Oliver Gant’s story).

Last Friday night in downtown Raleigh, over 1,700 music fans were treated to the sounds of North Carolina’s finest musicians–including The Avett Brothers, The Love Language, Bombadil, Holy Ghost Tent Revival, Jack the Radio, Annuals, and The Old Ceremony–all in the name of charity.

The venues, ranging in capacity from ~250 to 800, provided music lovers with a more intimate environment in which to experience their favorite bands.  This was especially true for fans of The Avett Brothers, who currently sellout venues that hold several thousand.  The chance to see The Avett Brothers in a venue that holds 250 people drove some of their more diehard fans to start lining up at King’s Baracade as early as 9 o’clock Friday morning.  By the afternoon, the line of fans camped out in chairs neared the block’s corner.  Curious pedestrians inquired about the line and quickly learned about Oliver’s event.  I can imagine that soon thereafter, a feverish round of desperate texts and tweets were fired off by said curious pedestrians to track down the last few tickets floating around Raleigh.  This was an event not to be missed!

I was lucky, or crazy according to some, to have scored the first spot in line at King’s that morning.  Some people questioned my judgement, my employment status, and my priorities, but I didn’t care.  We should be using vacation days to support events that are rooted in everything good in our world–friendship, music, philanthropy, and community.  These are the things that matter in life.  The experience of connecting with other fans in line, meeting those closely connected to the cause, and standing center stage in front of Scott and Seth Avett while listening to their beautiful music, was well worth the time and energy I spent.  I’d surely do it again in a heartbeat.

Seth Avett

The brothers Avett, stripped down with only a guitar, banjo and microphones, took the stage around midnight.  The crowd erupted with applause and excitement as those homegrown, humble boys from Concord opened with their heart-wrenching family ballad, Murder in the City.   Family is an omnipresent theme at all Avett shows, and it was evermore present that night as Scott and Seth played and sang from their hearts to honor their friend Jed Gant (Oliver’s dad) and his family.  For these Avett boys, family extends far beyond one’s genetic code.  It is a pervasive term that leeches its way into the all of the lives they affect with their music, art, and generosity.

Scott Avett

What was supposed to be a 25-minute set, thankfully stretched into a 50-minute set with gems like When I Drink, January Wedding, Denouncing November Blue, In the Curve, Go to Sleep, I Killed Sally’s Lover, and At the Beach.  Scott and Seth gave every bit of energy they had and looked like they were having a blast doing it as well.  Half-way through the set, after thanking Jed for inviting them to be a part of such an important event, Seth said, “We’re gonna play one of the songs we always used to play back when we first met Jed many years ago.  This one’s called Cigarettes and Whiskey.”  The crowd went crazy as the brothers added their own Cabarrus County charm to this old country classic.  They quickly downshifted into a beautiful version of Doc Watson’s Look up Look Down that Lonesome Road.  Minus a few token cat calls, the audience had hushed to hear that Avett harmony, all while near or distant memories of love lost stirred deep within.  This is why The Avett Brothers have fans lined up at 9am for a midnight show.  Their music digs up raw human emotions that make us feel reborn and alive.  They make us remember what we’ve been through and look ahead to better days.

They ended their set with a song that has become a staple in their shows as of late–gospel hymn A Closer Walk with Thee.  What a fitting way to end a show of this magnitude–with grace, hope and faith.  To Grayson Currin and everyone else involved in making the Racing the Cure Benefit for Oliver Gant a success, thank you for promoting music that really matters and for supporting a cause bigger than all of us.  To the Gant family, our prayers are with you always.  Keep fighting Oliver!

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Leaping into 2012…an extra day of music!

Rockin' my new Little Martin in 2012!

Happy (belated) 2012!  This year is slated to be jam-packed with shows (and reviews!) across the music spectrum.  So far, I have several shows under my belt and on the books,  including:  Jim Avett, Overmountain Men, Mipso Trio, The Darkness, The Avett Brothers (NC and CA dates), The Jimi Hendrix Experience, Merle Haggard, Paleface & Mo, and more!  I am excited to share these experiences with you all.

Another wonderful thing about the year 2012 is that it is a Leap Year, and the calendar gods have granted us an extra day to do with what we wish.  What will you do with your extra day?  I know that my extra day will be filled with as much music as I can cram into it.  Music is a part of my daily routine — in the car, at the gym, at work, in the kitchen while I cook, at late night jam sessions, and even in my dreams.  I don’t even attempt to imagine a world without music — just seems unlivable!

So let us appreciate an entire extra 24 hours of  music in our lives this year.   Cheers to a fabulous 2012!

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Review: The Darkness @ The 9:30 Club, Washington DC

Photo by Nicole Geldart

When D.C., MD, VA, and NC residents heard that The Darkness, who hadn’t toured in the US in eight years, was slated to play a mid-week show at the 9:30 Club, tickets sold out almost immediately.  Fans (aka “Darklings”) had been hopelessly wishing on shooting stars for their favorite pop-rock-metal-pseudo-80’s band to reunite ever since their official break-up in 2006. Their dream had come true, and their day had arrived.

On this rainy Wednesday night in our nation’s capital, The Darkness definitely came to melt our faces off.  From Justin Hawkins’ high-pitched ear-thrilling shrill to his multiple wardrobe changes and impressive stage stunts (standing on his head on stage with legs in a spread eagle while singing, just to name one), this performance proved to be everything I expected and more — pure in-your-face rock-n-roll with a splash of British humor on top.

The D.C. crowd, on the other hand, left more to be desired.  Let’s just say they didn’t exactly bring their “A” game to the club.  Their lackluster response time and time again after each song brought on feelings of embarrassment and shame.  “Hey Justin, I’m from NC…we know how to react after a kick-ass performance!”  Was the D.C. crowd’s reputation of being “hard to crack”, true?  Or, where they just totally lame to not share in my excitement?  It had been EIGHT years people, and The Darkness is a ridiculously good, fun-loving band that rocks out and looks damn good in skin-tight leather jumpsuits doing it!  What’s the issue here?  When the lighting guy back at the sound board is jamming out harder than the majority of the audience…well..D.C. I think we have a problem.  I digress…

Justin Hawkins, guitarist and lead singer of The Darkness — along with his brother and guitarist Dan Hawkins, bassist Frankie Poullain and drummer Ed Graham — ransacked the stage with playful vocals, powerful guitar riffs, chest pounding percussive bass lines, and endless energy.  They opened with Black Shuck and followed with favorites like One Way Ticket, Get your Hands off my Woman, Love is only a Feeling, I Believe in a Thing Called Love, and Love on the Rocks with no Ice (entire setlist).  The momentum of the show was like that of a steam engine, ever building up speed and propelling the audience further and further into their “Darkness” world.  Even when J. Hawkins slowed down to chat with the audience, I hung on to his every word, hoping desperately not to miss any of his funny English quips.  Is it the accent or the delivery that makes Brits so damn funny?  Perhaps it is both.

Towards the end of the set, J. Hawkins jumped into the audience atop the broad shoulders of security guards and ripped into one of his epic guitar solos, all while being groped and high-fived by surrounding fans.  The energy on the ground floor of the 9:30 Club finally hit its stride as the crowd got an opportunity to get close to this modern-day rock god.  This was just one of many examples throughout the show of how humble and down-to-Earth Hawkins is.  He became even more likeable with his willingness to leave the safety of the stage and venture out into a sea of his fans.  Despite the mediocre audience response (in my opinion), the band finished strong and never let on that they weren’t getting back what they were putting out there–a sign of true professionals in the music industry.

The Darkness Tour continues on into the Summer throughout the US, Australia, and Europe.  For more information on the band, please visit their website.

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Interview: Nick Bailey of Nick and the Babes

Nick and Graham Bailey

Songwriter Nick Bailey isn’t just writing music for TV shows; he’s writing his life’s soundtrack.  From guitar teacher to banker, singer to guitarist, and songwriter to DJ, Bailey is proof that when music is your passion, it will sneak into every facet of your life — yes, even banking.

A native of eastern NC, Bailey started playing music at the age of 13 years after receiving his first guitar for Christmas.

“I got a guitar and [my twin brother] Graham got a drum set.  He wanted a guitar but I said, ‘No you can’t get a guitar if I am getting a guitar’.  Back then I wanted to start a band because I was really into (shamefully) Guns N’ Roses.  When that song You Could be Mine came out I saw the video and watched the bass player, because I thought he was playing a guitar.  I thought, ‘Man that guy is so cool.  I want to learn how to play the guitar’.  That was really what made me want to pick up a guitar, which is just funny to me now,” he recalled.

After a year of music lessons, Bailey and his brother formed a 90’s cover band with their childhood friend Rob Wank.  Soon after, the twin brothers found themselves playing their first gig at the tender age of 14 years at a bar in the historic waterfront town of New Bern, NC.  Little did the brothers know that many years later they would reunite with Wank under the new band name Nick and the Babes (NATB).

“It’s kind of funny that we’ve come full circle.  [Rob] and I both played in a bunch of other bands.  We’ve known each other since high school.  We know each other very well, so it’s cool to have him back.  He is very versatile, and basically my wing man in the group,” Bailey said of his bandmate, who now plays keys, banjo, and mandolin while adding harmonies for NATB.

Though Bailey’s journey as a musician started that fateful Christmas, he never had goals to study music formally.  After only a year of instruction, he stepped away from lessons and began experimenting on his own.

“As far as the composing goes, that was just something that I had to just kind of plunder through.  I wasn’t a music major at [East Carolina University] or anything.  I stayed away from that.  I am not one of those guys who sits there with a classical guitar and reads music.  I felt like if I went to school for music I may end up hating it.  I didn’t want to have music homework.  I’d rather learn about the theory on my own and discover it through learning songs.  So I just learned it by doing it,” he said.

Thankfully, his self-taught approach has worked.  After two years of persistent emails and calls to a top TV music composer, Bailey was signed on to compose music for TLC’s show Nineteen Kids and Counting.  Soon thereafter he was hired to work on various TV series like Crime 360, Pit Bulls and Parolees, and Last American Cowboy.  To date he has written music for nearly 50 different episodes, and was just singed on for another season of Nineteen Kids and Counting.

Over the past few years Bailey has become accustomed to the process of TV music composition.  Typically, he is given an idea or direction from which to work.  Sometime he gets to view the scene for which he is writing, other times he does not.  Regardless of the amount or type of direction, Bailey’s job is to complete the scene with music–a process that can be both exhilarating and daunting at the same time.

“I was doing a scene for Animal Planet and they sent me this video clip from a helicopter viewing over this mountain.  They said, ‘Write something epic and grand for this scene’.  I thought that was pretty cool and I was inspired [by the video].  Sometimes they will say, ‘We need you to watch this movie and listen to the score and write something similar’.  They give me good direction as far as what to write.  I am familiar with a lot of different music, which does help me out with the TV music writing.  People tell me what they want and I can create that,” he shared.

Bailey draws his inspiration from a very eclectic background of musical influences, including funk, Motown, grunge, folk, jazz, indie rock, and more.  This aids him when he sits down to write a TV score, but can make the process difficult when sitting down to write songs for NATB.

“To me it is easier [to write for TV] than sitting down and trying to create an identity for yourself.  That is what you are essentially doing when you sit down to write.  You are creating a brand and an identity that people can latch onto or relate to, like a certain sound.  Sometimes I struggle with that.  I like so many different bands, so finding that perfect mix of everything is sometimes a struggle,” admits Bailey.

Rob, Nick, and Dail

These days when he is not up against a TV deadline, teaching guitar lessons, DJing, or working at the bank, Bailey sits down with his Martin acoustic guitar to write new material for NATB.  While the band’s sound continues to evolve, Bailey often describes it as ‘Americana’, which encompasses a number of different genres.

“I am trying to get [our music] to sound like NATB as opposed to sounding like another band.  A band like The Avett Brothers did something amazing because there really aren’t other bands out there that sound like them.  You can’t call them bluegrass, or indie rock, or folk because they really aren’t those things.  When I go to write, I try to write in a certain vein and not steer away from that.  I am not going to write anything that sounds like Metallica, but it is fun to try to mix everything that I like,” Bailey said.

Just as the music of NATB has evolved, so too has membership since the band’s 2007 inception.  Currently NATB is made up of Nick on guitar and vocals, Graham on drums and vocals, Dail Reed on bass, and Wank on keys/banjo/mandolin and vocals.

Though their touring schedule was sporadic this past year–all band members have other full-time jobs–show attendance was great and reviews positive.  They shared the stage with the talents of Jason Isbell from the Drive-by Truckers and Jim Avett, and developed relationships with a number of creative NC musicians.  One particular musician is Bob Crawford, bassist for The Avett Brothers.  It was through Crawford that the band was asked to perform Christmas Time is Here on Crawford’s My Favorite Gifts Christmas Album this past year.

“Initially the Christmas album was supposed to come out last Christmas and we were just going to be session musicians with Samantha Crain.  Thankfully it didn’t come out last year because then Bob approached me and said that he’d like to produce a track for NATB for the album.  I said, ‘Absolutely’.  We went to the studio where The Avett Brothers [recorded some of their music].  To be in the same studio where all of that happened was really cool for us,” recalled Bailey.

My Favorite Gifts Christmas album showcased the music of many popular and up and coming musicians, including The Avett Brothers, Paleface, Jim Avett, David Mayfield, Jessica Lea Mayfield, The Wood Brothers, The David Wax Museum, Overmountain Men, and Mark Crozer.  The album was produced by Crawford and Dolph Ramseur (Ramseur Records) with the intent of sharing unique holiday music in the name of charity.  All profits from the album will be donated to The Vickie Honeycutt Foundation, which benefits teachers with cancer.  This very important detail appealed to Bailey’s philanthropic side.

“[Crawford] told me profits were going to a charity for teachers with cancer.  My mom is a teacher, and there has been cancer in my family.  I have lost several family members to cancer.  To be involved in something that would benefit something so personal made it even better.  That was definitely a major motivator for us to do it right.  Being part of the bigger cause was definitely a cool thing for us,” Baily added with a smile.

Bailey also has high hopes that the Christmas album will expose NATB to a wider audience.  He is eager and excited to get the band back on the road touring and into the studio to record a full-length EP of new material this year.  In the meantime, Bailey continues to pursue his passion of music with an easy attitude and steady patience.  Experience has taught him that works.  I am sincerely looking forward to the catching the next episode of Nick and the Babes.

Nick and the Babes @ The Tipsy Teapot

Many thanks to Nick Bailey for taking the time to do this interview.  To learn more about his TV work, visit his IMDb page.  To learn more about Nick and the Babes, visit their website:  http://www.nickandthebabes.com/.

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December Music Mindblower – Finding Local Music

Technology is quite mind-blowing, isn’t it?  We live in a day and age when online music sources like Spotify or Pandora can recommend new music to you based on your preferences.  While I often marvel at the sophistication of these programs,  I also try to remember the magic that occurs when a friend or stranger recommends new music, rather than a computer.

As my musical tastes evolve, so do the avenues through which I find new music.  In eastern NC, you would be hard pressed to find big name acts playing in your area so you have to dig a little deeper and do a little more investigating to find talented musicians in the region and even across the state.  Since moving to NC, I have learned to rely on the magazine Our State and the spin-off TV program on UNC-TV to aid me on my quest of musical discovery.   Where better to learn about local music than from the people who are hitting the dirt roads, sidewalks, and jam sessions in all corners of the state?  Each month I await the arrival of Our State in my mailbox, eager to learn not only about the music of NC but also about all of the citizens who make this state a wonderful place in which to live.

While I can’t wait to receive my January issue, I am especially excited to see the next Our State program on UNC-TV next month.  On January 5th, 2012 (8pm) Our State UNC-TV will present a segment on the music and everyday life of Jim Avett.  Avett, who is often mentioned in reference to his sons Scott and Seth (The Avett Brothers), deserves attention and accolades all his own.  Whether perched on the front porch swing with his wife Susie or atop bales of hay in their old barn, Avett talks candidly with Our State about the blessings of raising their family on a working farm, the importance of staying grounded in faith, and the joy of being surrounded by great traditional music everyday.

Please check your local listings and tune in on January 5th at 8pm.

For those of you not in NC, go out and find resources like Our State or your local PBS station so you too can stay current on the people and events that make your state great!

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