Category Archives: Festivals

Review – Farm Aid 2014

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Since 1985, Farm Aid has been working to raise awareness about the hardships that accompany family farming in the US. Though efforts are year-round, the annual Farm Aid Concert marks the culmination of hard work, dedication, and commitment from non-profit organizers, farmers, musicians, volunteers and more. This star-studded event is not only a celebration of music, but more importantly a grassroots movement for those in attendance to get involved in the cause.

Now in its 29th year, Farm Aid continues to work toward its mission by promoting food from family farms, growing the Good Food movement, helping farmers thrive, and taking local, regional and national action to promote fair policies. To date, Farm Aid has raised over $45 million to support a strong family farm system of agriculture that is built to withstand the test of time and challenge the heavy-hand of government and corporate power that limits so many small family farmers.

This year, Farm Aid chose to focus the attention on the unique struggles of North Carolina farmers. Organizers spent months gathering the facts and stories from family farmers like Kay Doby and Craig Watts who face the hardships of contract poultry, NC’s only African-American dairy farmers Dorthay and Phillip Barker who have experienced blatant discrimination, and The Vollmer family who bravely moved away from traditional tobacco farming to organic production. While these are just a few of the countless stories from across the state, they represent a nationwide struggle that Farm Aid has been trying to dissolve for nearly three decades.

Farm Aid’s board of directors—Willie Nelson, John Mellencamp, Neil Young, and Dave Matthews—serve not only as the musical voices behind the cause, but also work to educate their fans year after year at the Farm Aid Concerts. Last month, Nelson, Mellencamp, Young, and Matthews took to Raleigh’s Walnut Creek Amphitheater stage, along with acts like Jack White, Gary Clark Jr., Preservation Hall Jazz Band, Jamey Johnson, Lukas Nelson & Promise of the Real, and Durham-based Delta Rae, to share their talents and thoughts with a sold-out crowd.

Though scattered thunderstorms threatened the event throughout the day, the late summer weather managed to cooperate for organizers and concert-goers alike. When the gates opened at noon, fans, farmers and supporters found themselves at a venue that had been transformed into an interactive, family-friendly “Homegrown Village,” offering local fare, agricultural workshops, panel discussions, and educational exhibits from more than 35 local and national food and farm groups.

In the Skills Tent, participants learned how to make flower crowns and the best way to save seeds from their backyard harvest. On the Farm Yard Stage, farmers and musicians paired up to discuss important issues like farmer’s market dynamics, concentrated animal feeding operations, and the threat of international fish imports on local fishers. Hands-on demonstrations gave non-farmers opportunities to roll up their sleeves and learn more about the trade.

Farm Aid is likely the only concert where farmers are treated like VIPs. Farmers who registered were invited to pre-concert events, granted early-entry, and given special placards to wear while on-site. The farmers were not only drawn to the event to enjoy the music, but also to network, share ideas, and work toward finding viable solutions to support the family farmer.

Each year Farm Aid stacks the line-up with some of the top names in the music industry. Raleigh’s Farm Aid was no different. Performances that led up to the headliners proved entertaining, but the crowd’s energy really started picking up momentum when Willie Nelson’s son Lukas Nelson took the stage, and it continued to mount until Willie himself closed out the evening with a stage full of friends.

In between Nelsons, Austin-based rocker Gary Clark Jr. drew standing ovations with an impressive 7-song set which included his hit “Ain’t Messin’ ‘Round.” The Nashville-by-way-of-Detroit enigma Jack White followed and the crowd collectively went insane the moment he stepped on stage. Donning a new, slicked-back coif and long jaw-line sideburns, White rocked out a 10-song set with favorites like “Lazzaretto,” “We’re Going to Be Friends,” and “Seven Nation Army.” White and his band matched the static electric energy that was projected on the big screen behind them, and were clearly one of the evening’s crowd-favorites.

Matthews, along with longtime musical partner and guitar extraordinaire Tim Reynolds, played a more subdued acoustic set that kept the crowd standing, swaying and smiling, as if transported back to more carefree times. Matthews and Reynolds performed classic ballads like “Crush,” “Oh,” and “Dancing Nancies,” along with more message-driven anthems like “Don’t Drink the Water” “Bartender,” and “Ants Marching.”

Mellencamp kept the crowd happy with popular hits that date back before the beginning of Farm Aid. The engaged audience sang along to songs like “Jack and Diane,” “Pink Houses,” “Small Town,” and “Crumblin’ Down.” Mellencamp shared stories between songs, adding in a layer of self-deprecating humor that softened his admitted rough edges.

Young found his way to the stage just after 9 p.m. Staying true to form, he filled the space between songs with sermon, calling out N.C. Senator Richard Burr for his anti-farming voting record and educating the audience about better food choices. His song choices were obvious and deliberate with hits like “Heart of Gold,” “Pocahontas,” “Mother Earth,” and “Who’s Gonna Stand Up and Save the Earth.” After being joined on stage by Lukas and Micah Nelson, Young closed with a rowdy “Rockin’ in the Free World.”

It only seemed fitting that Farm Aid founder Willie Nelson, who opened the day-long event, would also close out his 29th Farm Aid Concert. Sporting his trademark, tattered and torn Martin N-20 guitar Trigger and long braids, Nelson performed originals and covers while surrounded by his band, family and special guests. Just over 80 years-old, Nelson continued to delight fans with favorites like “On the Road Again” and country classics like “Mama Don’t Let Your Babies Grow Up To Be Cowboys.” His performance solidified the fact that his gift lies not in the smoothness of voice or nimble finger-picking, but in his down-home charm and ability to connect with everyday people.

This year’s Farm Aid delivered not only an amazing musical experience to fans, but it also gave North Carolina farmers a stronger voice. Concert goers of all ages were called to act in the best interest of the family farmer, both at the dinner table and in the voting booth. While Farm Aid founders and organizers openly wish they did not have to plan this event year after year, their vision remains steady and focused on changing the structure that currently drives agricultural policy in the U.S.

Young may have described the current situation best when he stated, “We love Farm Aid, but we don’t love that we are doing Farm Aid. It’s not a celebration. It’s a mission to change what’s going on.” As Farm Aid organizers move on to begin planning next year’s event, farmers and their supporters will continue to work so that family farms are better equipped to survive and thrive well into the future.

View photos from Farm Aid 2014 here

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Review – Shaky Knees Festival 2014

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Shaky Knees, an Atlanta music festival in its sophomore year, was by most accounts a success on a grand scale. The festival relocated to a single Atlantic Station location this year from its bifurcated presence last year in Fourth Ward Park and Masquerade Music Park. While there was initially some noise regarding the somewhat less central location of the festival, the new site proved to be a boon, allowing for improved transportation to and parking at the festival. While festival organizers strongly urged ticket holders to use public transportation, there was ample parking and a discount agreement with Uber for the weekend.

The Good

It’s not often that the entrance to a festival is located within a large strip mall, but the unused, paved lot behind the Atlantic Station live-work-play development proved a worthy space for a burgeoning event. While the festival was not long on real estate, the available space was well utilized and easy to navigate. Two stages on each end of the lot ran on impressively precise schedules- when one band finished its set, the band on the neighboring stage picked up within seconds, keeping the energy of the crowds high.

Edward Sharpe and the Magnetic Zeros were as unpredictable as they were talented. Alex Ebert, the lead singer, was down from the stage and in the crowd within the first three minutes of their set. The Sunday show took place on his birthday, and he was in no way shy about celebrating with the audience. Ebert included plenty of audience participation in the show, and the band’s popular single “Home” was kicked off by a fan proposing to his girlfriend onstage. Ebert took time to showcase songs from several members of the ten-member band; however the female vocalist of the band, Jade Castrinos, was conspicuously absent. At times songs seemed on the verge of falling apart, such as their closer “Om Nashi Me”, only to burst into climactic and perfectly timed reprises.

Portugal. The Man played an impressive set on Saturday afternoon. Having heard about the previous day’s deluge, John Gourley performed the entire show wearing a hooded raincoat and sunglasses. The band focused heavily on their latest album, 2013’s Evil Friends, both opening and closing with “Purple, Yellow, Red and Blue.” While the band played all of the favorites, one of the most notable songs of the set was a cover of Pink Floyd’s “Another Brick in the Wall Part 2,” which reminded the audience just how rock ‘n’ roll Portugal. The Man is at its core.

Tokyo Police Club proved once again that they thrive at an outdoor festival. Opening with the nearly nine minute long suite “Argentina (Parts I, II, III)” from the brand new album Forcefield, the band showed that they’ve grown up quite a bit since the release of Champ in 2010. That said, the setlist neatly combined the two albums, delighting already-fans and winning over those unfamiliar with the band’s indie-pop sound. TPC closed with the first track of their first album, “Cheer It On,” bringing the show full circle and reminding fans exactly who they were.

Closing the festival with her performance Sunday night, Britney Howard of Alabama Shakes continually told the audience between songs that she wasn’t an eloquent speaker. However her raw and melodious songs spoke for themselves. The band played “Hold On”, the hit single from their album Girls and Boys, with the same energy as if they were playing it for the first time. The Alabama Shakes also debuted a new song “Miss You”, which combined tender verses reminiscent of a Motown classic, with a chorus that was unapologetically Rock ‘n’ Roll. They split their show with the interlude “Gemini I and II”, an eleven minute song involving voice effects and a slower pace, which was the only part of their show that dragged or lacked energy. The band’s performance at Shaky Knees was their last stop before returning home to Alabama to begin recording their second album.

The Bad

Though the addition of local food trucks to the festival sounded kitschy and even appealing, the execution was off here. The front of the park had only three options to contend with roughly half of the crowd. While the back had more options, they were arranged in a tight U-shape where people hopped in lines for anything (or nothing) and never seemed to make much progress. I’ve never wanted a hot dog so badly in my life.

As mentioned earlier, this festival took place on an asphalt lot. On the upside, it wasn’t a giant mud pit by the end of day two. On the downside, there wasn’t much around to absorb sound, and it certainly bounced resulting in a somewhat fuzzy sound quality from the audience. There were also instances of sound competing from opposite sides of the park. Jenny Lewis fought to be heard as she was blasted by The Replacements set playing at the same time.

The Ugly

As some other Atlanta natives have famously said, “you can plan a pretty picnic, but you can’t predict the weather.” Such was the case for Shaky Knees. In fact, wash outs seem to be par for the course for this festival, making back-to-back appearances in 2013 and 2014.

That said, there were very few ugly parts of this largely successful new festival. It seems that in time Shaky Knees could easily develop into one of the more popular festivals in the Southeast.

Story and photos contributed by – Emily Yerke and William Ruff

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FloydFest Steps Up Outdoor Activities for Revolutionary Year

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FloydFest isn’t just a music festival in southern Virginia.  It’s an outdoor extravaganza–an unique experience that finds itself closer to perfection each and every year.  Now in it’s 13th year, FloydFest boasts not only a stellar musical lineup, but also a plethora of outdoor activities that can be nestled between sets, allowing FloydFestivarians the chance to find their chi right in the heart of the Blue Ridge Mountains.

This year’s festival, which runs from July 23-27th, offers attendees a 5-day staycation, packed with easily-accessible outdoor activities for all ages.  For 2014, FloydFest has partnered with some of the biggest names in the outdoor industry to provide festival-goers with top-notch outdoor experiences and access to the highest quality outdoor gear on the market.

Join Osprey Packs for guided hikes along the Blue Ridge trails, or challenge yourself at Vasque Footwear’s 2nd Annual 5K trail race.  If you’d rather bike the Blue Ridge, grab a free rental from Roanoke-based Starlight Bicycles  and sign up for the Belcher Mountain Beat Down.  Made possible by VA-based Tangent Outfitters and the Moonstompers Bike Club, this 16-mile mountain bike tour takes riders through the Blue Ridge on a unique hand-built, single-track trail.  If water is more of your thing, join local partner On the Water for five opportunities to take a paddling trip down a gorgeous, undeveloped stretch of the Little River.  Relax and rejuvenate back at the festival site with a round of disc golf on FloydFest’s Innova-sponsored 9-hole course, or taking a nap at the ENO Hammock lounge.  Later, join the US National Whitewater Center for a Sunday night after-party at the Beer Garden. Be sure to stop by FloydFest’s Outdoor Adventures Headquarters for trip information and sign-ups, bike rentals, trail maps, and more.

Additionally, FloydFest has paired up with the following outfitters and regional events for fun ticket giveaways and prize packages:

Chacos

The official sandal sponsor of FloydFest is giving away a pair of tickets as part of their 25th anniversary “Fit for Adventure” tour.  See them at FloydFest for fun activities, a photo booth, and chances to win footwear.

Get Out More Tour

FloydFest will be joining the one-of-a-kind mobile tour at 15 stops throughout the Southeast region, offering prizes and ticket giveaways along the way.  At FloydFest, join in the hunt for a Geo-Cache full of goodies that’s been stashed deep in the woods around the festival site.

Great Outdoor Provision Company

FloydFest has teamed up with North Carolina specialty outdoor retailer to host a Festival Preparedness Clinic at their Raleigh, Winston-Salem, and Charlotte, NC locations in April.  Ticket giveaways will run at all seven GOPC store locations from the end of May to July 1st.

REI – Richmond, VA

The national outdoor retail co-op will host a Festival Survival Clinic June 2nd at the Richmond, VA store location. The clinic will provide tips on what and how to pack for outdoor festivals while giving away a set of weekend pass tickets to a lucky clinic attendee.

Mountain Junkies

Whether you’re a ‘Mountain Junkie’ already or soon to be one, the Roanoke Non Ultra Trail Series will provide FloydFest promotional giveaways at each of their race events. Each race offers a tough challenge as you race up the mountain, but the locations are equally captivating.

Roanoke Outside

Dubbed America’s Toughest Road Marathon, The Blue Ridge Marathon takes place on April 26th.  FloydFest has paired with Roanoke Outside to provide FloydFest-related prizes to lucky marathoners.

“We want to give FloydFest fans endless opportunities to explore and enjoy the amazing outdoor activities that this area has to offer,” says FloydFest co-founder and producer, Kris Hodges.  We’re very fortunate to work with outdoor partners and vendors who are committed to providing a top-notch outdoor experience for our attendees.”

Driven to be the best music festival experience of our time, FloydFest is committed to selling a limited quantity of tickets to the highest quality event experience, bar none, celebrating music, art, and life in an intimate and visually stunning environment.  For more information on FloydFest, including ticket prices and the full 2014 ‘Revolutionary’ artist line-up, visit www.floydfest.com or call 1-888-VA-FESTS.

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FloydFest Releases Initial 2014 Line-up

logo-floydfest13As a special pre-holiday treat, FloydFest organizers have released the initial 2014 festival line-up to the public, which looks absolutely amazing–see for yourself below.  Though not first on the list, my eyes immediately gravitated towards the words MS. LAURYN HILL.  I’ve been waiting for this lovely soulful songstress to return to the festival circuit for a long time.  It will be great to see her grace the FloydFest 13 stage!

In addition to a stellar initial line-up, the 2014 FloydFest celebration will now be FIVE FULL DAYS!  Music and festivities are slated to begin mid-day on Wednesday, July 23rd and continue through Sunday evening, July 27th.  Five-day multiday tickets will be available for purchase.

The theme for next year’s festival is FloydFest 13 – Revolutionary. FloydFest’s Facebook page has already been blowing up with “revolutionary” posts from excited fans.  Their page will feature “Weekly Revolution” entries to keep fans engaged and the excitement growing.  This week’s “Weekly Revolution” reads as follows:

Every day is a Revolution.. a literal circle around the sun, and as well an opportunity for reinvention, discovery, action, awareness, appreciation–the individual ingredients that together, over time, combine, combust and spark positive revolution…We find music festivals Revolutionary. The past decade has seen a resurgence of the outdoor music festival nearly to the point of “mainstreaming,” taking both perception and experience well beyond the stereotypical “Woodstock” experience. We find it Revolutionary that the outdoor music festival has become the preferred live music experience, and we bear firsthand witness to resulting effects of contagious positivity.

Also, in line with its ‘Revolutionary’ theme, FloydFest has established some new changes to this year’s festival based on the recommendations of fans and festival-goers from previous years.  Capacity for the event will be cut by 1300 multi-day tickets, a move geared to embrace and sustain FloydFest’s status as a boutique music festival that sells out each year well in advance of gates opening.

Tickets are on sale now, so be sure to snag yours early as this festival is sure to sell out quickly.  The 2014 FloydFest line-up will include:

Ben Harper and Charlie Musselwhite ~ Ms. Lauryn Hill ~ Ray LaMontagne ~ Thievery Corporation (Full Band) ~ Ziggy Marley ~ Michael Franti & Spearhead ~ Buddy Guy ~ Robert Randolph & the Family Band ~ Lettuce  ~ JJ Grey & Mofro ~ Conspirator ~ Donna the Buffalo ~ The Duhks ~ Campbell Brothers ~ The Lee Boys ~ Hackensaw Boys ~ The London Souls ~ Jonathan Boogie Long ~The Deadmen ~ 2013 On the Rise Winner: Paper Bird ~ 2013 On the Rise Winner Runner Up: Crystal Bright & the Silver Hands ~ Tauk ~ Dirty Drummer ~ and many, many more TBA.

 For more information visit www.floydfest.com, contact Mandy Gresham at mandy@darbycommunications.com or call 1-888-VA-FESTS.

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Nonprofits Partner to Bring Folk Music to Richmond Students

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For the past eight years, JAMinc and the Richmond Folk Festival have partnered to bring internationally recognized folk musicians into Richmond schools to perform for students. This partnership has enabled over 23,000 students to be exposed to a diverse array of folk music rooted in cultural traditions from across the globe.

Tomorrow, JAMinc, a local nonprofit music education organization, will coordinate ten school performances by six of the festival musicians at Richmond area schools, including the Faison School for Autism and St. Andrew’s School.

Coordination involves a host of volunteers who donate their time and resources to organize transportation and sound equipment set-up to ensure an enjoyable and unique musical experience for the students and musicians, alike.

This year, select students will be treated to a performance by Tuvan throat-singers, Alash.  Throat-singers learn to sing multiple harmonic notes with one voice, sometimes creating two and three separate tones.

“It is the most amazing, out of this worldly kind of sound that you’ve ever heard,” said Tim Timberlake, Richmond Folk Festival programming committee member and JAMinc chairman.

Students will also have a chance to experience music from polka and reggae groups, as well as traditional mountain music from Elizabeth LaPrelle and Anna Roberts-Gevalt. Exposure to a variety of musical genres teaches students that the word “folk” can have multiple meanings across different cultures.

“Folk is the indigenous music from any culture. It’s the traditions that are passed down that stem from the roots of all of these different cultures all over the world,” explained Timberlake.

Promoting music education in the school systems is something that is very important to JAMinc and the Richmond Folk Festival, but music education goes well beyond the school walls for both organizations. It took some time to educate the people of Richmond about the diversity that underlies folk music, but attitudes are moving in the right direction.

“The complexion [of the festival]…beautifully reflects the demographic composition of Richmond. There is nothing that happens near here that approaches that success of being able to bring everybody together, to be that inclusive, have it all work and have everyone have a wonderful time and celebrate music together,” said Timberlake.

In addition to coordinating the school music events, JAMinc is sponsoring four local musical acts on the festival’s Genworth Financial Family Stage. Saturday’s sponsored acts consist of the kids group, Silly Bus, and VCU graduate Andrew Ali, who which will lead a harmonica workshop. JAMinc sponsor, TKL/Cedar Creek Case Shoppe, donated approximately 100 harmonicas to be passed out to the children who want to take part in the workshop.

On Sunday afternoon, JAMinc will present big band composer, Samson Trinh, who will conduct a ukulele workshop and play alongside a ukulele orchestra of young musicians. Sunday’s Family Stage festivities will come to a close with the high-energy stringband music of The Hot Seats Shortband.

It is the hope of JAMinc and Richmond Folk Festival organizers that young music lovers will walk away from these experiences inspired and enlightened.

“Generally, music just has that potential for just opening and unlocking doors.  At their ages their minds are open, and they are receptive to hearing and learning new things. That’s definitely what this is all about–to let them hear some things and let them realize that there is more to the world and to music than what they are hearing on commercial radio,” said Timberlake.

The Richmond Folk Festival is a free event from October 11-13, 2013. Organizers anticipate that this weekend’s festivities will draw over 200,000 attendees to Richmond’s beautiful, historic downtown riverfront. Festival grounds include the American Civil War Center, Brown’s Island and Tredegar Street.

In addition to being held on a picturesque campus, the Richmond Folk Festival boasts a stellar line-up that spans the globe and a solid foundation of dedicated volunteers working behind the scenes to ensure a smooth and successful event.

“It’s a joint effort of a whole lot of people, the city, Venture Richmond, the National Council for the Traditional Arts and a huge bank of volunteers,” said Timberlake.

JAMinc hopes to continue their role in the Richmond Folk Festival well into the future. The collaboration has extended JAMinc’s mission of promoting music education and appreciation beyond their school and evening concert series, and established a bond that gets stronger with each passing year.

“I think the Richmond Folk Festival appreciates what we do and I think we, JAMinc, really enjoy being associated with such a quality event, such a successful event and such a jewel in Richmond’s crown. All of us are really proud of how this thing has played out, that it’s continuing and that most people will say it’s the coolest event in town, down there on the river in the RVA,” said Timberlake.

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Interview – Time Sawyer

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“Saturday morning was come, and all the summer world was bright and fresh, and brimming with life. There was a song in every heart; and if the heart was young, the music issued at the lips. There was cheer in every face and a spring in every step. The locust-trees were in bloom, and the fragrance of the blossoms filled the air. Cardiff Hill, beyond the village and above, it was green with vegetation, and it lay just far enough away to seem a Delectable Land, dreamy, reposeful, and inviting.

Mark Twain, The Adventures of Tom Sawyer

There is something intriguing about the process of naming a band. While some musicians choose to use their surnames, others find inspiration in art, literature, or everyday events. Such is true for the up-and-coming band out of Elkin, North Carolina named Time Sawyer. This folk-rock band, which consists of Sam Tayloe (vocals, guitar), Kurt Layell (lead guitar), Houston Norris (banjo), and Clay Stirewalt (drums), came together a few years ago to make “real music” with a grassroots feel matched with high energy. It was out of this common mission that they started to lay a foundation and grow a loyal fan base. Beyond bringing their own music to the people, Time Sawyer founded Reevestock Music Festival. Now in its third year, Reevestock not only boasts a great line-up for a smaller, more intimate festival, but also remains true to its local roots by benefiting the restoration of Elkin’s last theater, The Reeves.

I recently caught up with Time Sawyer’s Sam Tayloe to learn a bit more about the band’s name, their story, songwriting, and how they are building a music empire in their rural hometown.

Evolution of a Fan: Can you give me a brief explanation of where the band name “Time Sawyer” came from?


ST: Kurt and I started the band in 2010 and we were looking for something to connect where we are from to where we are headed.

“Time Sawyer” let us do that by pulling from the character Tom Sawyer to represent the rural area that we came from (Elkin, NC) while also being used as a grassroots character, in touch with [his] craft.

We chose “Time” because, in songwriting, I don’t think there is anything you can write about that doesn’t have time involved. Truly in life I don’t think you can either. But in songwriting, you can be writing about how much you love how great something is and you want time to stop dead in its tracks, keeping you in the moment, or, you could be doing all you possibly can to escape from some hard times, relationship or otherwise, so you want time to move along. It just seemed to fit with time being such a constant with anything you are involved in.

EOAF: How did the current band come to be? How did you all meet?


ST: The current band is the only band, which has been really neat. Kurt and I started working together a bit earlier after being introduced by a mutual friend. It just kinda worked out that we got to add some really great supporting pieces without much work, as Houston was my best friend in high school and Clay, Kurt’s. We also have a 5th member that we love as an original–Mr. Bob Barone plays pedal steel with us anytime we can have him.

EOAF: It looks like you guys have turned out a lot of albums in a short amount of time. Who is the primary songwriter and what is the process like for the band? Is it a collaborative effort, or does the primary songwriter just come with the song and arrangements?


ST: Yeah, we try to keep our nose on the grindstone. Kurt and I are the primary songwriters. It’s been really fun to watch the operation grow as it has. Kurt is writing some amazing songs right now, and I’m really excited to work on this new record we are planning for later this year. Collectively we have written about 20 so far for it. When we write songs, usually Kurt or I will finish one entirely, show the other, get feedback, then bring it to the band to help with what else we should add to it, and form a direction for the song. Houston and Clay really bring a lot to helping with songs when they get to them. Recently however, Kurt and I have written some together, or had a song that was half way done but needed or chorus or bridge, etc and we would help the other. It really seems to be working well as we grow.

EOAF: What do you think makes a “real” song? 


ST: I think that is a very loaded question (haha). Real can be a lot of things, but I think genuine is the only thing that has to be constant. I feel like–and hope others see it the same way–being honest and genuine is something you can see/feel. There are times that you get duped, but those situations can be turned into genuine songs themselves.

EOAF: From where do you pull your musical inspiration (other artists, personal experiences, observing others)?

ST: Most of what gives us the fuel to write is our own experiences. I have begun some now to write a few “story” type songs where I don’t have to completely use all me, but usually am still personally connected to the song. Other musicians help to give us ideas as well. Kurt and I both have a few of the same favorite artist that help to inspire for sure.


EOAF: Talk a little bit about how the idea for Reevestock came about. I know you are in your third year and that it continues to grow. How did you come to decide to put on this festival, and why is it important to you/band?


ST: Reevestock is a festival that is really 3-fold. I started thinking about bringing some more music and activities to our hometown than I had when I lived there as a kid. Some of my favorite events to attend are music festivals so I figured I’d look into that option. After some research, it seemed like a feasible option. Choosing The Reeves Theater became more of a symbol than anything. The whole event is a benefit for The Reeves, but it’s also an event with purpose to benefit the whole town of Elkin and our musical needs. Maybe need is a bit far, but I’ll leave it. We do continue to grow and that really helps me to feel like we’re doing this right. We will continue to grow, have fun, and help benefit as many people as we can.

EOAF: What are you most excited about for this year’s Reevestock?

ST: All of it. Most (kinda) of the work is already done, so I’m eager to get the music going! It’s really a fun time.

EOAF: What does The Reeves Theater mean to you personally? Do you have childhood memories of going there to hear music/plays/movies? If so, would you share a few?


ST: Honestly, I don’t have any memories of the Reeves as a kid. I believe I was taken by my mom to see the Lion King and a few other movies there, but I have no recollection of it. As I said before, it helps to serve as a symbol of just keeping music alive.

EOAF: What do you think is special or unique about Yadkin Valley music. Why is its preservation so important?

ST: I think music is special. No matter what people go through, people find music to connect with. Our area is rich in bluegrass heritage and is really known for that. Besides our bluegrass though, we don’t have much of a musical touch, so that is what I’m looking to change.

EOAF: On your webpage, whoever writes the blog entries often says “Hootie Hoooo” or calls your fans “Owlets”…This made me laugh when I read it. Where did that come from? What’s the significance of the owl references?


ST: Kurt brought the owl into the Time Sawyer world and we’ve had a wooden figurine of one since our very early shows. Since then we have made it our power animal, ha. We started “hooting” at fans on Facebook post a while back, but Kurt’s brother, Justin Layell actually coined “Owlets” for us while writing for us on tour this past spring.

EOAF: How do your songs typically evolve from studio to stage?

ST: We build and play songs for a while before the studio, even play lots of them live, so most of what you hear on a record as been tested. We do find different ways to add some zest or change a song up here or there after we have played them for a long time post-record. It’s always fun to throw in a surprise.

EOAF: What is one or a few of your favorite things about performing live shows in different venues (coffee houses, house shows, clubs, festivals). How does the audience affect your performance?

ST: All of those places bring so much to the table if you’re willing to take what is given. House shows offer you a very intimate and open-eared crowd. Those are really fun because of that. Jody Mace puts on Common Chord House Concerts, in Charlotte, NC. It’s a really great group. Festivals and venues give you that crowd interaction that may talk through some of [your set], but also give you that “let’s dance” vibe, too. You can take something good from any show. We want to make friends that become our fans. We are really close with our growing fan base.

EOAF: Finally, what do you want to leave behind as your musical legacy? What do you think fans/listeners will remember about Time Sawyer in the future?


ST: We want to make sure people remember Time Sawyer first, but we are making large strides to do that. We feel very confident in our growth and what our music stands for. That being said, I think we’d like to be remembered for our honesty and ability to connect with fans. Being genuine like we talked about. Being remembered as the most badass band of all-time works, too.

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Time Sawyer will be performing at Reevestock along with The Dirty Guv’nahs, The David Mayfield Parade, Joe Pug, A Great Disaster, Owen Poteat, Luke Mears, and The Jon Linker Band. The festival runs from Friday, August 2nd (at The Liberty) through Saturday, August 3rd (at Elkin’s Hidden Amphitheater). Single and two-day tickets are still available, so get out there and check out some amazing musicians, all while supporting the restoration of a historical landmark that captures the essence of the good old days in a small country town. Does it get any better than that!?

“In the common walks of life, with what delightful emotions does the youthful mind look forward to some anticipated scene of festivity!”

Mark Twain, The Adventures of Tom Sawyer

**Thank you to Sam Tayloe for his time and enthusiasm, and Jody Mace for constantly spreading the word about great music!**

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Summer Festival Spotlight – Newport Folk Festival

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Imagine yourself meandering through the rustic barracks of an 18th century waterfront U.S. military fort.  Sounds pretty cool, right?  Now imagine that the sun is shining, the beer is flowing, the harbor is dotted with white sails and white caps, and every single one of your favorite bands is playing.  Luckily, you don’t have to just imagine this perfect scenario–you can experience it!

Now in its 54th year, the Newport Folk Festival continues to carry the torch when it comes to stacked lineups with all of the best festival trimmings.  Over the July 26-28 weekend, the industry’s most talented musicians will land at Fort Adams State Park in Newport, RI and play to a–more than likely–sold-out crowd.

Here are some of the top reasons to get your hands on the oh-s0 coveted Newport Folk Festival ticket (or find a friend with a boat and post-up in the harbor), along with fan feedback from some new and slightly seasoned Newport Folk festivarians:

1. The Lineup:  Unlike other festivals, Newport doesn’t release their full lineup until well after tickets go on sale.  Savvy festivarians know to purchase tickets early, because year after year festival organizers book only the best acts.  Second-timer Karen, from Nashville, TN, didn’t need to know the lineup to know she would grace Fort Adams with her presence again this year.  “I bought my 3-day pass the day they went on sale, without a single act having been announced.  No need.  I knew it would be good–no, great,” she said.  And she was certainly correct.  Heavy-hitters include Feist, The Avett Brothers, Beck, The Lumineers, Jim James, Old Crow Medicine Show and Trombone Shorty, to name a few.  While these are certainly impressive headliners, Newport will also host one of the most impressive lineups of indie bands on the festival circuit this year.  Bands like Langhorne Slim and the Law, Shovels and Rope, The Lone Bellow, and The Milk Carton Kids, along with solo performances from Jason Isbell and Justin Townes Earle, are must-sees at this year’s NFF.  First-timer Blair, from Asheville, NC, is most looking forward to Langhorne Slim’s performance on Saturday, which is slated to be one of this year’s crowd favorites.  With such a stellar lineup, fans like Karen are going to have to think long and hard about where to be and when.  She added, “My only frustration is going to come from having to make some hard choices about who to see when every act is terrific.  Good problem to have, though, right?”

2. The Backdrop:  There’s nothing quite like watching the sun set over Newport Harbor as the headliner closes out the day with an inspirational performance.  The NFF has one of the most beautiful backdrops around–historic mansions nestled into vibrant, green rolling hills surrounding a sailor’s paradise.  From Fort Adams, this breathtaking scenery is sure to make any festival goer stop in his/her tracks and take in a panoramic view.  Repeat offender Karissa from Hackettstown, NJ shared her thoughts on the festival’s landscape.  “Last year was my first NFF, and I plan on going every year now.  It’s clean, it’s close, and the views are amazing.  When you’re at Fort Adams, you’re right on the water.  You can look out and see people on their sailboats dancing to Jackson Browne or My Morning Jacket.  You can see the famous Newport Mansions on your drive in and dream about spilling a few million out to live in one, one day.”  Sounds pretty magical to me!

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3.  The Nightlife: After the sun goes down and all of the lawn chairs get folded up, the festival still rages on.  On Friday and Saturday nights, Dawes and Friends will play shows at The Jane Pickens Theater  to benefit the Newport Festivals Foundation.  Just down the road at the Newport Blues Cafe, Deer Tick will close out Friday-Sunday nights with performances to benefit both the Newport Festivals Foundation and Multiple Myeloma Research Foundation.  Though frontmen Taylor Goldsmith (Dawes) and John McCauley (Deer Tick) are friends, collaborators, and recently appointed Newport Folk Festival Board of Advisor members, you can bet that the vibe at each show will be span the spectrum.  A word to the wise, the rowdy bunch should fall in line with Newport’s golden(toothed) boy McCauley at Newport Blues Cafe, while the more laid back fans should kick it with L.A. rocker Goldsmith and pals.  Either way, the evening events offer festival goers a chance to keep the party going, while supporting great charities.

4. The Festivarians:  Music lovers travel from far and wide to get to Newport, and these aren’t just your run-of-the-mill festivarians.  Rather, they are fans that know a thing or two about music, and that’s why they are there–for the music.   After her first NFF, Karen noticed that the crowd was one of the things that made NFF so special.  “I have been calling it an adult festival, but that’s not really accurate.  It is very mellow and civilized.  I can compare it to MerleFest, actually, now that I’ve been there.”  Karissa added, “At NFF, everyone is on the same page.  Audiences are respectful.  I didn’t see a single person stumbling around drunk, trying to push their way to the front, which is kind of hard to believe for a three-day festival!  You can look to your left and right and on either side of you is a person wearing a t-shirt with your favorite band written across the front of it–pretty amazing.  I’m all for NFF.  Best festival, hands down.”

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5. The Unexpected:  From Dylan’s 1965 plug-in to The Pixies unplugged in 2005, you just never know what kind of amazing musical treats will pop-up at NFF.  Over the years, fans have been delighted with surprise onstage collaborations, fort-top performances, and secret acoustic sessions.  It’s safe to say that NFF will deliver more unforgettable, unexpected moments this year, as well.   In 2010, The Avett Brothers, rode a scissor lift high above a line of port-a-johns and played a secret short set to those fans who able to sneak away from the other stages.  This is just one of many moments that will live on in the NFF history books:

6.  The Layout:  Due to tight capacity restrictions at Fort Adams, NFF has been forced to keep the festival numbers down, which is quite amazing considering the caliber of musicians that attend.  Having a festival with only 4 stages in a very close proximity to one another, but with ample space to keep sound separate, is a major plus for NFF.  “The beautiful thing about NFF is that it’s small. There are four stages and it only takes a minute to get from one to another.  I recently attended Firefly Music festival in Delaware and it was so crowded and the stages were so far apart, it took my friend and I forever to figure out where we were supposed to be.  We actually walked around Firefly reminiscing about how perfect NFF is,” shared Karissa.  The festival layout allows the experience to remain intimate and engaging, as if you were enjoying a private show with 10,000 of your closest friends.

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These are just a few of the many reasons to get to the Newport Folk Festival this year from July26-28th.  At the time of this entry, single-day tickets for Friday were still available.  You may have to resort to Stubhub or Craigslist for the Saturday and Sunday shows.  But, just remember that there’s always next year, so be sure to buy your tickets early.  See you in Newport!

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